Polish filmmaker Agnieszka Holland has spent most of her career pushing artistic and political boundaries. After completing high school in Warsaw, she studied at the Film and TV School of the Academy of Performing Arts (FAMU) in Prague. While living in Czechoslovakia, Holland witnessed the Prague Spring of 1968 and was arrested and imprisoned for supporting the dissident movement.
After graduating from FAMU in 1971 she returned to Poland where she cut her teeth working as an assistant to directors Krzysztof Zanussi and Andrzej Wajda before emigrating to France in 1981 just as martial law was imposed in Poland. She has since worked in many countries, including directing episodes of David Simon's groundbreaking shows "The Wire" and "Treme” here in the United States.
Holland distilled her activist spirit into her politically charged films, which often center on the Holocaust and many of which have garnered international acclaim. In 1985 her West German film "Angry Harvest," based on a novel written by Hermann Field and Stanislaw Mierzenski while imprisoned by the Polish government, was nominated for Best Foreign Language Film at the 58th Academy Awards.
A few years later her film "Europa Europa," based on the true life story of German-Jewish Solomon Perel, who survived the Holocaust as a boy by joining the Hitler Youth, received an Oscar nomination for Best Adapted Screenplay. In 2011 her film "In Darkness," inspired by the life of Leopold Socha, who sheltered a group of Jews who had escaped from the Lwów Ghetto in the sewers of the Polish city, also received an Oscar nomination for Best Foreign Language Film.
Her latest drama "Green Border," caused a firestorm upon its release in Holland’s native Poland, including harsh criticism from government leaders, review bombing on popular Polish film websites, and even protests. Although highly regarded by critics who screened it at festivals in Venice, Toronto, New York, and Chicago, the film was ultimately not chosen to represent Poland at last year's Academy Awards.
The searing drama takes a clear-eyed and critical look at the man-made refugee "crisis" at the border between Poland and Belarus. In 2021, Belarusian dictator Alexander Lukashenko lured several thousand asylum seekers, mainly Syrian, Kurdish, and Afghan, though some Congolese as well, to the country promising easy transit over the border to the European Union.
In the titular green border, the forest that connects the two countries, the right-wing government officials in Poland erected barbed-wire fences and created a militarized security zone where aid workers and doctors were forbidden, essentially stranding the refugees in a limbo of violence and neglect.
Holland's film, which she made in collaboration with activists who are still currently working to aid refugees on the border, is split into chapters following a family of Syrian refugees who are joined by an Afghani woman with ties to Poland, a young border guard in way over his head, a group of activists working through the many hoops created by the government in order to aid the refugees, and a woman named Julia who is radicalized after she witnesses the death of a refugee not far from her secluded home. The film ends with an epilogue that highlights the stark contrast between how these refugees, mostly from the Global South, were treated with violence and the warm welcome the people of Poland gave to Ukrainian refugees at the start of that war.
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